1
10
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https://humanities.gbcnv.edu/omeka/files/original/f5da1dbf5747b91651ca3f962fd33137.pdf
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PDF Text
Text
Great Basin College (GBC) does not discriminate on the basis of race, religion, color, age, sex, sexual orientation, military status, disability, national origin, gender identity or expression, or genetic information. For inquiries, 775.738.8493.
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https://humanities.gbcnv.edu/omeka/files/original/db8daa7925b9d6e2fea54bb6161be809.jpg
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Title
A name given to the resource
ACE Events - 2017-2019
Description
An account of the resource
Collection of ACE (Arts and Cultural Enrichment) events at Great Basin College from 2017 through 2019
Document
Documents such as transcripts, pdf files, legal documents, letters, etc.
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Title
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Mountain Picassos: Basque Arborglyphs of the Great Basin poster
Description
An account of the resource
Advertising poster for the "Mountain Picassos: Basque Arborglyphs of the Great Basin" exhibit at the GBC Art Gallery from August through 12 October 2017. The poster also advertises the reception and talk on 28 September 2017 by Jean Earl.
<p>The event was co-sponsored by NTI, Nevada Humanities, the Nevada Historical Society, the Nevada Arts Council, and the National Endowment for the Arts.</p>
Creator
An entity primarily responsible for making the resource
GBC Media Services
Source
A related resource from which the described resource is derived
Original pdf poster
Publisher
An entity responsible for making the resource available
Great Basin College
Date
A point or period of time associated with an event in the lifecycle of the resource
August 2017
Contributor
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Scott A. Gavorsky [VHC]
Rights
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Copyright © 2016, Great Basin College. All rights reserved.
Format
The file format, physical medium, or dimensions of the resource
.pdf; 8.5 x 11 inches
Language
A language of the resource
English
arborglyphs
Basque
Design
GBC Art Gallery
Great Basin
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https://humanities.gbcnv.edu/omeka/files/original/03527e2ece11ed94cc8b72be07b611d2.pdf
2391b025aa383619b1719214a3cc7035
PDF Text
Text
�“Now saddle up with the things that I’ve told you,
Leave man’s little world far behind.
Find sanctuary out on the cow range.
Let the wind do its thing on your mind.
The Cowboy Poetry of Waddie Mitchell
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https://humanities.gbcnv.edu/omeka/files/original/102269b5fed97fceac168787252ddbe0.jpg
a844fb846ed2516dafbbc7b8fcd484bf
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Title
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Design for the Human Spirit (Theme 2015-2017)
Subject
The topic of the resource
Materials related to the VHC Theme for 2015-2017--Design for the Human Spirit.
Description
An account of the resource
What is design, and how does it impact humans? Over the next two years, the Virtual Humanities Center will explore the role of design at GBC, the communities it serves, and the larger world.
Creator
An entity primarily responsible for making the resource
GBC Virtual Humanities Center
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
August 2015 - July 2017
Contributor
An entity responsible for making contributions to the resource
Scott A. Gavorsky [VHC]
Rights
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Great Basin College © 2015. All rights reserved.
Document
Documents such as transcripts, pdf files, legal documents, letters, etc.
Dublin Core
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Title
A name given to the resource
"A Passage through Time": Original Artwork for Elko Street-scape Project
Description
An account of the resource
The original concept art for "A Passage through Time," the Elko Street-scape public art project undertaken by the Nevada Department of Transportation in Elko in the spring and summer of 2015. The artwork was produced by John L'Etoile, Senior Landscape Architect of Nevada DOT
Creator
An entity primarily responsible for making the resource
John L'Etoile
Publisher
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Virtual Humanities Center at Great Basin College
Date
A point or period of time associated with an event in the lifecycle of the resource
2015
Contributor
An entity responsible for making contributions to the resource
Scott A. Gavorsky [VHC]
Relation
A related resource
<a title="Video Interview with John L'Etoile" href="/omeka/items/show/115" target="_blank" rel="noopener">"Elko Street-scaping Project: Interview with Nevada DOT Architect John L'Etoile" - http://humanities.gbcnv.edu/omeka/items/show/115</a>
Format
The file format, physical medium, or dimensions of the resource
.pdf file
Language
A language of the resource
Vidual only
Community
Crossroads
Design
Design 2015-2017
Elko
NDOT
-
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Title
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Toolkit - Discussions
Subject
The topic of the resource
Items related to the use of discussions as a pedagogical tool.
Description
An account of the resource
This collections features various items related to the use of discussions in live and online classrooms as a pedagogical tool.
Many of these items were taken from the VHC In-Service Workshop on "Discussions for Critical Thinking" on 21 January 2016.
Creator
An entity primarily responsible for making the resource
Scott A. Gavorsky
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
January 2016
Contributor
An entity responsible for making contributions to the resource
Kathy Schwandt; Joshua Webster;
Rights
Information about rights held in and over the resource
All rights reserved. Use of any content only by express permission of Great Basin College © 2016.
Video
A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.
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"Discussions for Critical Thinking" - Spring 2016 Faculty In-Service
Subject
The topic of the resource
Spring 2016 Faculty In-Service on using discussions to promote critical thinking skills, particularly for online classes.
Description
An account of the resource
<p>On 21 January 2016, the VHC hosted a faculty in-service on strategies to use discussions to promote critical thinking, particularly in online classes. The workshop was presented by GBC faculty members Scott A. Gavorsky, Kathy Schwandt, and Joshua Webster.</p>
<div id="KalturaPlayer" style="width: 400px; height: 330px;"> </div>
<p>
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</p>
<p><a title="Discussions for Critical Thinking Video" href="http://www.kaltura.com/tiny/9ebi6" target="_blank;">Click here for direct access to video (if embed above is not functioning).</a></p>
Creator
An entity primarily responsible for making the resource
GBC Virtual Humanities Center
Source
A related resource from which the described resource is derived
<a title="Humanities Toolkit exhibit on Discussions" href="/omeka/exhibits/show/humanities-toolkit/discussions" target="_blank" rel="noopener">Humanities Toolkit - Discussions</a>
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
21 January 2016
Contributor
An entity responsible for making contributions to the resource
Scott A. Gavorsky, Kathy Schwandt, Joshua Webster [VHC presenters]; Brenda Wilkie [GBC IAV facilitator]
Rights
Information about rights held in and over the resource
All rights reserved. Use of any content only by express permission of Great Basin College © 2015-2016
Format
The file format, physical medium, or dimensions of the resource
streaming video [mp4]
Language
A language of the resource
English
Critical Thinking
Design
Design 2015-2017
Discussions
Faculty
In-Service
rubric
Toolkit
-
https://humanities.gbcnv.edu/omeka/files/original/e7b3563f0eeccf6521daed79cb844c2c.jpg
35071c0903ff7d845ad5f7eda0e27ab6
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Dan Flores during talk on Coyote America, 29 January 2016
Format
The file format, physical medium, or dimensions of the resource
.jpeg; 200 x 200 px; 96 dpi
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Title
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Design for the Human Spirit (Theme 2015-2017)
Subject
The topic of the resource
Materials related to the VHC Theme for 2015-2017--Design for the Human Spirit.
Description
An account of the resource
What is design, and how does it impact humans? Over the next two years, the Virtual Humanities Center will explore the role of design at GBC, the communities it serves, and the larger world.
Creator
An entity primarily responsible for making the resource
GBC Virtual Humanities Center
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
August 2015 - July 2017
Contributor
An entity responsible for making contributions to the resource
Scott A. Gavorsky [VHC]
Rights
Information about rights held in and over the resource
Great Basin College © 2015. All rights reserved.
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Title
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Coyote America: A Natural and Supernatural History
Subject
The topic of the resource
<p>Historian Dan Flores' talk on <em>Coyote America</em> to Dr. Jonathan Foster's HIST 102 (U.S. History since 1877) class at GBC, 28 January 2016.</p>
<p><a title="Dan Flores GBC Talk - 28 January 2016" href="http://gbcnv.mediasite.com/mediasite/Play/f3cbfc66eaac44148bc7c3584fbadb561d" target="_blank" rel="noopener">View Event [MediaSite Stream]</a></p>
<p>Event sponsered by <a title="Nevada Humanities dot org" href="http://www.nevadahumanities.org/" target="_blank" rel="noopener">Nevada Humanities</a> and the <a title="Western Folklife Center dot org" href="http://www.westernfolklife.org/" target="_blank" rel="noopener">Western Folklife Center</a>.</p>
Description
An account of the resource
<p>Dan Flores speaks about his forthcoming book, <em>Coyote America: A Natural and Supernatural History</em> (New York: Basic Books, June 2016):</p>
<p>“[It] is a biography of the animal from its evolutionary origins in the American Southwest five million years ago, its role in inspiring the principal deity of many western Indian tribes, to its 21st century spread across North America and colonization of America's largest cities,” said Flores. “Along the way I'll try to explain how its evolutionary adaptations, so similar to ours, has coyotes mirroring our own successes, one of the reasons it continues as an animal avatar for us in modern culture."</p>
<p>Dan Flores is a cultural and environmental historian of the American West. The author of ten books, Flores’ work focuses on a longue durée approach. According to the Western Folklife Center’s website, Flores’s work encompasses “both history and the present so that today’s westerners can strive to make decisions that promote the long-term health of the land.”</p>
<p>Flores has written widely about western animals, including bison and wild horses, and has two forthcoming books to be released in 2016, titled: <em>American Serengenti: The Last Big Animals of the Great Plains</em>, and <em>Coyote America: A Natural and Supernatural History</em>. Flores was also a keynote speaker for this year's National Cowboy Poetry Gathering.</p>
Creator
An entity primarily responsible for making the resource
Dan Flores
Publisher
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GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
28 January 2016
Contributor
An entity responsible for making contributions to the resource
Nevada Humanities; Western Folklife Center; Robert Hannu [GBC]; Scott A. Gavorsky [VHC]
Rights
Information about rights held in and over the resource
Signed permission form on file:
http://humanities.gbcnv.edu/omeka/admin/items/show/129 [administrator access only]
Format
The file format, physical medium, or dimensions of the resource
MediaSite Course Stream
Language
A language of the resource
English
Action
Community
Cowboy Poetry Gathering
coyote
Design
Design 2015-2017
natural history
supernatural
-
https://humanities.gbcnv.edu/omeka/files/original/6126ca3320498fa0bcfe859d017854b2.jpg
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Title
A name given to the resource
Design for the Human Spirit (Theme 2015-2017)
Subject
The topic of the resource
Materials related to the VHC Theme for 2015-2017--Design for the Human Spirit.
Description
An account of the resource
What is design, and how does it impact humans? Over the next two years, the Virtual Humanities Center will explore the role of design at GBC, the communities it serves, and the larger world.
Creator
An entity primarily responsible for making the resource
GBC Virtual Humanities Center
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
August 2015 - July 2017
Contributor
An entity responsible for making contributions to the resource
Scott A. Gavorsky [VHC]
Rights
Information about rights held in and over the resource
Great Basin College © 2015. All rights reserved.
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Title
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Sun Dance in Silver Bow: Urban Indian Poverty in the Shadow of the Richest Hill on Earth
Subject
The topic of the resource
<p>Nicholas Vrooman's talk on the history of the Little Shell Tribe to Dr. John Patrick Rice's COM 101 class at GBC on 28 January 2016.</p>
<p><a title="Nicholas Vrooman Talk - 28 January 2016" href="http://gbcnv.mediasite.com/mediasite/Play/00948c469ea045d2aa0b59647f324eed1d" target="_blank" rel="noopener">View Event [MediaSite Presentation]</a></p>
<p>Event sponsored by <a title="Nevada Humanities dot org;" href="http://www.nevadahumanities.org/" target="_blank" rel="noopener">Nevada Humanities</a> and the <a title="Western Folklife Center dot org" href="http://www.westernfolklife.org/" target="_blank" rel="noopener">Western Folklife Center</a></p>
Description
An account of the resource
Nicholas Vrooman discusses the history of the Little Shell Tribe of Chippewa Indians of Montana, a polyethnic community of Native Americans forming from Cree, Assiniboine, and French roots in the first half of the nineteenth century.
Vrooman was the first State Folklorist of North Dakota and the second State Folklorist of Montana. Currently, Vrooman directs Northern Plains Folklife Resources, based in Helena, Montana.
Vrooman is contracted by the Native American Rights Fund to help write for the Little Shell Tribe of Montana their petition for federal recognition to the Department of the Interior. Vrooman wrote and produced the Little Shell Tribe’s official history book, “The Whole Country was ‘One Robe’”: The Little Shell Tribe's America," funded by the State of Montana.
“The North American West has multiple narratives of who we are and from where we come, some of which are concealed,” says Vrooman. “Finding a voice for some of these little known stories brings to light narrative threads that flesh out and enhance a deeper meaning for life in the American West.”
Creator
An entity primarily responsible for making the resource
Nicholas Vrooman
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
28 January 2016
Contributor
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Nevada Humanities; Western Folklife Center; Robert Hannu [GBC]; Scott A. Gavorsky [VHC]
Rights
Information about rights held in and over the resource
Signed permissions form on file:
http://humanities.gbcnv.edu/omeka/items/show/128 [authorized users only]
Format
The file format, physical medium, or dimensions of the resource
MediaSite Stream
Language
A language of the resource
English
Action
Communication Skills
Community
Cowboy Poetry Gathering
Design
Design 2015-2017
Little Shell Tribe
Native Americans
-
https://humanities.gbcnv.edu/omeka/files/original/a5b61644e580beb37ac7a1023c356359.pdf
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PDF Text
Text
DISCUSSIONS POSTING RUBRIC (for History Survey Course)
Ratings
Criteria
Initial post responds Initial post responds Initial post responds Initial post answers
to all discussion
to all discussion
prompts and
to two of the
Initial post fails to
Post fails to engage with the
two of the discussion answer two of the
prompts, but fails to
prompts, answering
assigned readings.
supports arguments
one is unsupported
and supports them
support them with
only a single prompt
with specific
with evidence from
with evidence from
evidence from the
supported with
evidence drawn from the readings.
the readings, but
readings.
evidence from the
the readings.
ignores one of the
No post submitted.
specific discussion prompts or the
prompts, but at least discussion prompts
Pts
0 pts
INITIAL POST
300 words
(due by Thursdays at
11:59 pm)
1 pt
5 pts
6
readings.
3 pts
prompts.
6 pts
2 pts
4 pts
CITATIONS
(applies to both Initial
Post and Responses)
SPELLING /
GRAMMAR
(applies to both Initial
Post and Responses)
All evidence used in the initial post and the responses is properly Significant number of citations missing or incomplete.
No citations included
cited, including both source and page number.
with postings.
1 pt
2 pts
0 pts
A few minor grammatical and spelling errors that do not harm the Frequent or recurring grammatical or spelling errors.
Errors to the extent
meaning of the posts.
2
that understanding
1 pt
the post is difficult.
2 pts
2
0 pts
At least two responses which both engage Two responses, but
Two responses, but
Only one response
Only one response included,
No responses to
with the initial poster's responses in a
at least one fails to
neither response
included, which
which does not engage with the
colleagues' posts
substantial manner and are supported by
engage with the
engages with the
engages with the
initial poster's responses in
included.
RESPONSES
evidence from the readings.
initial poster's
initial poster in
initial poster's
substantive manner supported
150 words EACH
(two required by
Sundays at 11:59 pm)
responses with
substantive manner
responses in a
from the readings.
5 pts
support from the
supported from the
substantial manner
0 pts
5
1 pt
readings.
readings.
4 pts
and are supported by
3 pts
evidence from the
readings.
2 pts
Total Possible Points
15
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Title
A name given to the resource
Toolkit - Rubrics
Subject
The topic of the resource
Collections of rubrics and related material contributed by GBC Faculty
Description
An account of the resource
Collections of rubrics and related material contributed by GBC Faculty
Creator
An entity primarily responsible for making the resource
GBC Faculty
Publisher
An entity responsible for making the resource available
GBC VHC
Contributor
An entity responsible for making contributions to the resource
Scott A. Gavorsky
Document
Documents such as transcripts, pdf files, legal documents, letters, etc.
Dublin Core
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Title
A name given to the resource
Discussions Posting Rubric for a History Survey Course
Subject
The topic of the resource
A grading rubric for discussion posts used for History survey courses.
Description
An account of the resource
This grading rubric for discussion posts was developed for History survey courses, although it is generic enough to be used for any types of courses. The rubric is set up based on a three-prompt discussion model, with an initial post and two required responses.
Creator
An entity primarily responsible for making the resource
Scott A. Gavorsky
Source
A related resource from which the described resource is derived
Discussion Requirements for History Survey Courses [<a title="Discussion Requirements for History Survey Course" href="/omeka/exhibits/show/humanities-toolkit/item/124" target="_blank" rel="noopener">http://humanities.gbcnv.edu/omeka/exhibits/show/humanities-toolkit/item/124</a>]
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
21 January 2016
Rights
Information about rights held in and over the resource
All rights reserved. Use of any content only by express permission of Great Basin College © 2016
Relation
A related resource
<a title="Humanities Toolkit - Discussions" href="/omeka/exhibits/show/humanities-toolkit/discussions" target="_blank" rel="noopener">Humanities Toolkit / Discussions</a>
Format
The file format, physical medium, or dimensions of the resource
pdf; 1 page
Language
A language of the resource
English
Design
Design 2015-2017
Discussions
Faculty
In-Service
rubric
Toolkit
-
https://humanities.gbcnv.edu/omeka/files/original/0ae5e93257b596567e75b837d09936c8.pdf
7d77bf9a2b779fc2489b6ac343250674
PDF Text
Text
����
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Toolkit - Discussions
Subject
The topic of the resource
Items related to the use of discussions as a pedagogical tool.
Description
An account of the resource
This collections features various items related to the use of discussions in live and online classrooms as a pedagogical tool.
Many of these items were taken from the VHC In-Service Workshop on "Discussions for Critical Thinking" on 21 January 2016.
Creator
An entity primarily responsible for making the resource
Scott A. Gavorsky
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
January 2016
Contributor
An entity responsible for making contributions to the resource
Kathy Schwandt; Joshua Webster;
Rights
Information about rights held in and over the resource
All rights reserved. Use of any content only by express permission of Great Basin College © 2016.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
<p><span style="font-size: medium;"><strong>These requirements should be followed in the graded discussions unless specifically noted otherwise in the discussion post.</strong></span></p>
<p><span style="font-size: medium;">At the collegiate level, history courses are far more concerned with the whys of history. Facts such as dates, institutions, and persons are important, but they are only part of understanding history. Understanding why historical events and processes occurred the way they did and the connections between them is a far more complex and far more difficult skill. Discussion with colleagues to argue the importance of various pieces of evidence is the best way to arrive at this understanding.<br /><br /></span></p>
<p><span style="font-size: medium;"><strong><span style="text-decoration: underline;">INITIAL POSTING</span><br /></strong>The Initial posting is due by Thursday evening of the assigned week. It should be 300 words and engage with the historical issues raised in the discussion prompts. The purpose is to analyze the week's readings (both the textbook and any additional primary sources) and discuss the major ideas presented. To achieve this, you should be prepared to answer the discussion prompts AND explain and support your arguments with direct evidence drawn from the readings.</span></p>
<p><span style="font-size: medium;">Note that you will not be able to view any other postings until you submit your initial discussion post.<br /><br /></span></p>
<p><span style="font-size: medium;"><strong><span style="text-decoration: underline;"><strong>SUPPORTING ARGUMENTS IN POSTS USING SOURCES</strong></span></strong></span></p>
<p><span style="font-size: 12pt;">For the initial post and the responses, the point is not merely to "answer the question," but also to explain the basis for this answer based on evidence from source material. Sources are divided into three broad groups, based on their origin:<br /></span></p>
<p style="padding-left: 30px;"><span style="font-size: 12pt;"><span style="color: #008000;"><strong>PRIMARY SOURCES</strong> <strong>=</strong> <strong>Evidence</strong></span> = Documents <span style="text-decoration: underline;">composed</span> in the time period being studied, providing the perspective of the people living at the time. These are the most powerful basis of arguments, since they represent what historical actors saw and why they say they pursued certain actions. Most of the discussions will revolve around the analysis of primary sources.</span></p>
<p style="padding-left: 30px;"><span style="font-size: 12pt;"><span style="color: #3366ff;"><strong>SECONDARY SOURCES = Interpretation</strong></span> = Scholarly articles (peer-reviewed) or books based on analyzing primary sources. These are modern scholars discussing the events of the past.</span></p>
<p style="padding-left: 90px;"><span style="font-size: 12pt;"><strong>Scholarly (Peer-Reviewed) Sources:</strong> <span style="color: #3366ff;">Secondary</span> (and some <span style="color: #800000;">tertiary</span>) sources which have been submitted prior to publication to reviewers working in the same field of study who provide feedback to the author and insure the source meets evidentiary and methodological standards. Scholarly sources exclusively should be used at the collegiate level.</span></p>
<p style="padding-left: 30px;"><span style="font-size: 12pt;"><span style="color: #800000;"><strong>TERTIARY SOURCES = Summaries</strong></span> = Textbooks, encyclopedias, Wikipedia, etc. Although some tertiary sources such as course textbooks are useful for basic information, most tertiary sources--especially encyclopedia sites such as Wikipieda, SparkNotes, and Ask.com--should be avoided in collegiate-level writing.</span></p>
<p style="padding-left: 90px;"><span style="font-size: 12pt;"><strong>Popular Sources:</strong> Most websites such as PBS, NPR, or History.com are tertiary sources aimed at a popular audience, and are not scholarly in orientation. They should be avoided in collegiate-level work. Instead, seek out out peer-reviewed items from the <a id="" class="" title="" href="http://www.gbcnv.edu/library/" target="">GBC Library's journal databases</a>. If you have any doubts, just ask in an e-mail.</span></p>
<p><span style="font-size: 12pt;">While you are welcome to use outside sources, the purpose of the discussions are to engage with the assigned readings, especially the <span style="color: #008000;"><strong>primary sources</strong></span> and the textbook. Outside sources should be rarely used (if at all), and, of course, always cited, as described below.<br /><br /></span></p>
<p><span style="text-decoration: underline; font-size: medium;"><strong>CITATIONS</strong></span><br /><span style="font-size: medium;">Since supporting information is being used, citations will be required (even for information taken from the textbook). Citations are required anytime that information is used from a source, regardless of how that information is used. Direct quotes and statistics should always be cited, as should paraphrases and summaries. There is no minimum or maximum number of citations required; the number is based on what evidence you are using in your argument.</span></p>
<p><span style="font-size: medium;">Given the limitations of the WebCampus system, citations can be given in a modified MLA parenthetical format, giving the source (usually identified by the author's last name) and a page or other reference number. Citations should follow the specific datum being cited.</span></p>
<ul>
<li><span style="font-size: medium;"><strong>EXAMPLE 1: Summary of Specific Information taken from a Source</strong></span><br /><span style="font-size: medium;">The average ancient Egyptian lived in a small family group, indicated by the small size of typical Egyptian houses (McKay, et al., 26). <br /><br /></span></li>
<li><span style="font-size: medium;"><strong>EXAMPLE 2: Direct Quotation from a Source</strong></span><br /><span style="font-size: medium;">Hammurabi's Code provides for capital punishment if a builder kills someone because "his work is not strong" (Hammurabi, 16). <br /><br /></span></li>
<li><strong><span style="font-size: medium;">EXAMPLE 3: General Knowledge not Needing Citation</span></strong><br /><span style="font-size: medium;">Mesopotamia is the land between the Tigris and the Euphrates rivers.</span></li>
</ul>
<p><span style="font-size: medium;">The practices of proper citations are discussed more fully in the video for the Academic Integrity Quiz, available when Discussion # 2 is available.</span></p>
<p> </p>
<p><span style="font-size: medium;"><strong><span style="text-decoration: underline;">RESPONSE POSTINGS</span><br /></strong>At least two responses to colleagues' posts </span><span style="font-size: medium;">are due</span><span style="font-size: medium;"> </span><span style="font-size: medium;">by Sunday evening. These posts should be at least 150 words and engage with the historical arguments advanced by the original poster. </span><span style="font-size: medium;">As with the initial posts, evidence should be used to support your position.</span></p>
<p><span style="font-size: medium;">Responses such as "Good job" are certainly welcome, but not sufficient. Also note that the goal is NOT to critique colleagues' writing styles, citations, or grammar, but to engage with the ideas and the historical content being argued.</span></p>
<p><span style="font-size: medium;">Students should also feel free to post questions about the course readings in the discussion posts. As noted below, I will be in and out of discussions over the week, and will answer the questions as I come across them.</span></p>
<p> </p>
<p><span style="font-size: medium;"><strong><span style="text-decoration: underline;">DISCUSSION ETIQUETTE</span><br /></strong>The general policy outlined in the Course Syllabus applies to all course discussions. We will likely disagree on our interpretations of the readings, but those disagreements should be handled through debate supported by evidence, not direct attacks. </span></p>
<p><span style="font-size: medium;">Serious or repeated violations will subject the student to removal from the course.</span></p>
<p> </p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;"><strong>SUMMARY POSTING</strong></span><br />I will be in and out of the discussions each week, primarily to spark further discussion and keep an eye out for any problems. At the end of each week's discussion, I will post a summary of my views on the discussion prompts. Note these posts are not necessarily the answers, but part of the ongoing conversations.</span></p>
<p> </p>
<p><span style="font-size: medium;"><span style="text-decoration: underline;"><strong>GRADING RUBRIC</strong></span><br />As with all work in the course, grading is based on content, grammar, and style simultaneously. The Discussion Posting Rubric is given below, and can be viewed with each weekly Discussion prompt.</span></p>
<table style="width: 100%;" border="1" cellpadding="2">
<tbody>
<tr>
<td style="text-align: center;" colspan="9"><span style="font-size: medium;"><strong>DISCUSSIONS POSTING RUBRIC</strong></span></td>
</tr>
<tr>
<td style="text-align: center;"><span style="text-decoration: underline;"><strong><span style="font-size: medium;">Criteria</span></strong></span></td>
<td style="text-align: center;" colspan="7"><span style="text-decoration: underline;"><strong><span style="font-size: medium;">Ratings</span></strong></span></td>
<td style="text-align: center;"><span style="text-decoration: underline;"><strong><span style="font-size: medium;">Pts</span></strong></span></td>
</tr>
<tr>
<td width="25%">
<p><strong><span style="font-size: medium;">INITIAL POST</span></strong><br />300 words<br />(due by Thursdays at 11:59 pm)</p>
</td>
<td style="vertical-align: top;" width="10%">
<p>Initial post responds to all discussion prompts and supports arguments with specific evidence drawn from the readings.</p>
<p>6 pts</p>
</td>
<td style="vertical-align: top;" width="10%">
<p>Initial post responds to all discussion prompts, but at least one is unsupported with evidence from the readings.</p>
<p>5 pts</p>
</td>
<td style="vertical-align: top;" width="10%">
<p>Initial post responds to two of the discussion prompts and supports them with evidence from the readings, but ignores one of the prompts.</p>
<p>4 pts</p>
</td>
<td style="vertical-align: top;" width="10%">
<p>Initial post answers two of the discussion prompts, but fails to support them with evidence from the readings<span>.</span></p>
<p>3 pts</p>
</td>
<td style="vertical-align: top;" width="10%">
<p>Initial post fails to answer two of the prompts, answering only a single prompt supported with evidence from the readings.</p>
<p>2 pts</p>
</td>
<td style="vertical-align: top;" width="10%">
<p><span>Post fails to engage with the specific discussion prompts or the assigned readings.</span></p>
<p>1 pt</p>
</td>
<td style="vertical-align: top;" width="10%">
<p>No post submitted.</p>
<p>0 pts</p>
</td>
<td style="text-align: center;" width="5%"><span style="font-size: medium;">6</span></td>
</tr>
<tr>
<td><span style="font-size: medium;"><strong>CITATIONS</strong></span><br />(applies to both Initial Post and Responses)</td>
<td style="vertical-align: top;" colspan="3">
<p>All evidence used in the initial post and the responses is properly cited, including both source and page number.</p>
<p>2 pts</p>
</td>
<td style="vertical-align: top;" colspan="3">
<p>Significant number of citations missing or incomplete.</p>
<p>1 pt</p>
</td>
<td style="vertical-align: top;">
<p>No citations included with postings.</p>
<p>0 pts</p>
</td>
<td>
<p style="text-align: center;"><span style="font-size: medium;">2</span></p>
</td>
</tr>
<tr>
<td>
<p><span style="font-size: medium;"><strong>SPELLING / GRAMMAR</strong></span><br />(applies to both Initial Post and Responses)</p>
</td>
<td style="vertical-align: top;" colspan="3">
<p>A few minor grammatical and spelling errors that do not harm the meaning of the posts.</p>
<p>2 pts</p>
</td>
<td style="vertical-align: top;" colspan="3">
<p>Frequent or recurring grammatical or spelling errors.</p>
<p>1 pt</p>
</td>
<td style="vertical-align: top;">
<p>Errors to the extent that understanding the post is difficult.</p>
<p>0 pts</p>
</td>
<td style="text-align: center;"><span style="font-size: medium;">2</span></td>
</tr>
<tr>
<td><span style="font-size: medium;"><strong>RESPONSES</strong></span><br />150 words EACH<br />(two required by Sundays at 11:59 pm)</td>
<td style="vertical-align: top;" colspan="2;">
<p>At least two responses which both engage with the initial poster's responses in a substantial manner and are supported by evidence from the readings.</p>
<p>5 pts</p>
</td>
<td style="vertical-align: top;">
<p><span>Two responses, but at least one fails to engage with the initial poster's responses with support from the readings.</span></p>
<p>4 pts</p>
</td>
<td style="vertical-align: top;">
<p><span>Two responses, but neither response engages with the initial poster in substantive manner supported from the readings.</span></p>
<p>3 pts </p>
</td>
<td style="vertical-align: top;">
<p>Only one response included, which<br /><span>engages with the initial poster's responses in a substantial manner and are supported by evidence from the readings.</span></p>
<p>2 pts </p>
</td>
<td style="vertical-align: top;">
<p>Only one response included, which does not engage with the initial poster's responses in substantive manner supported from the readings.</p>
<p>1 pt </p>
</td>
<td style="vertical-align: top;">
<p>No responses to colleagues' posts included.</p>
<p>0 pts</p>
</td>
<td style="text-align: center;"><span style="font-size: medium;">5</span></td>
</tr>
<tr>
<td style="text-align: right;" colspan="8"><span style="font-size: medium;"><strong>Total Possible Points </strong></span></td>
<td style="text-align: center;"><span style="font-size: medium;"><strong>15</strong></span></td>
</tr>
</tbody>
</table>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Discussion Requirements for a History Survey Course
Subject
The topic of the resource
Example discussion requirements for a History Survey Course, including a rubric for grading.
Description
An account of the resource
<p>Example discussion requirements for students for a History Survey course, in this case HIST 105 (European Civilization to 1648). The requirements includes the rubric for grading.</p>
<a title="Discussion Requirements for History Survey Course" href="/omeka/files/original/0ae5e93257b596567e75b837d09936c8.pdf" target="_blank" rel="noopener">Download pdf of full page</a>
Creator
An entity primarily responsible for making the resource
Scott A. Gavorsky
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
January 2016
Rights
Information about rights held in and over the resource
All rights reserved. Use of any content only by express permission of Great Basin College © 2016.
Format
The file format, physical medium, or dimensions of the resource
HTML coding that can be copied-and-pasted.
INSTRUCTIONS:
1) Copy the HTML text.
2) In WebCampus course shell, click Add New Page.
3) In page editor, click on "HTML Editor"
4) Paste the text into the HTML Editor.
5) Save and test links.
6) Place in any desired course module.
Language
A language of the resource
English
Design
Design 2015-2017
Discussions
Faculty
In-Service
rubric
Toolkit
-
https://humanities.gbcnv.edu/omeka/files/original/1dfce2a5b634fdbf5d8bf80f4a4c4853.pdf
e550451b110dd6976155450934b59e57
PDF Text
Text
Spring 2016 VHC In-Service: Discussions for Critical Thinking Long a staple of the live classroom, discussions have also found a central place in online classes. While asynchronous and synchronous software allows a variety of interactions, the fundamental questions of organizing good discussions remain. 1) What do I want out of discussions—content mastery, skill development, or some combination? 2) How can students be encouraged to engage in critical thinking in responding to discussions? On the next page is a selection of discussions being used by GBC faculty. As the faculty present their approaches, please consider how these discussions might parallel your answers to the questions above. VHC In-Service: “Discussions for Critical Thinking” (Spring 2016) Page 1 �HIST-105: European Civilization to 1648 (Scott A. Gavorsky) Discussion # 8: The Later Middle Ages A key theme in the emergence of medieval societies in the High Middle Ages (1000-1300) and the Late Middle Ages (1300-1500) was the quest for stability, which structured a number of the conflicts of the period. Discuss how medieval society sought to achieve a stable society, considering the following issues: 1) What elements contributed to the stability of medieval society? 2) What elements contributed to instability? 3) What issues did the medieval world find increasingly difficult to deal with? For the discussion, you should draw on Lectures for Week # 11: The Medieval World and Lectures for Week # 12: The Later Medieval World and the associated readings. Remember to follow the Discussion Requirements. GRC 101: Principles of Design (Kathy Schwandt) Discussion #2: Principles of Design Assignment #1 was about principles of design, and you analyzed a book cover to identify some design principles. Examine the following movie poster image. Choose one principle of design and explain how it seems to be applied in this image. Your response may be written or you may record a video using the Record/Upload Media button in the toolbar above. (Refer to the Discussions Rubric in the Week 1 Module to see how your discussion posts are graded.) Make your first post by 8:00 p.m. (PST), Sunday, September 8. Respond by 1:00 p.m. (PST), Wednesday, September 11 to at least two other students’ postings for this topic. INT 339: Capes and Cultures (Joshua Webster) Discussion: Batgirl Cover Controversy This week's Discussion Assignment asks you to do a bit out of outside research on the dispute over the Batgirl variant cover. Start by reading the article posted in the module and, from there, research the issue in greater detail and find at least three other articles, blogs or discussions of the cover and the larger issues it connects to. You should look for sources that are taking a stance on the cover, and try to look at articles covering each side of the issue. Once you have done your research, write a brief argumentative post that analyzes the different viewpoints and also provides your stance on the issue, making sure you justify your own stance with logical arguments and support from your research. Your argument should be thesis-driven and you absolutely, 100% need to cite your sources in MLA style, so make sure you do so. The length of your post should be 300 to 500 words. Additionally, you are required to respond to the posts of two fellow classmates, preferably ones who take a view that opposes your own. VHC In-Service: “Discussions for Critical Thinking” (Spring 2016) Page 2 �3) How can discussions be assessed for both content and/or skills development? GENERAL NOTES: Note: The VHC’s Core Humanities Skills flyer is on the reverse of this sheet. Thank you for attending this VHC In-Service. Please take a few minutes and fill out our event survey at: https://docs.google.com/a/gbcnv.edu/forms/d/1f3cfD2hNpzNUu6r4imno1ymEAYyTg3HanxNCJRYZHuw VHC In-Service: “Discussions for Critical Thinking” (Spring 2016) Page 3 �At the heart of GBC’s Virtual Humanities Center (VHC) is this list of core skills and habits of mind that the humanities encourage and promote. Every aspect of the VHC is centered on these skills. They are not only college learning skills, but life skills, and they are aligned with GBC’s General Education Objectives. Humanities Core Skills/ Habits of Mind ÐÐ the capacity to write intelligently, lucidly, and fluently ÐÐ the capacity to speak intelligently, lucidly, and fluently ÐÐ the capacity to communicate through a variety of media: visual, performance, design & composition ÐÐ the ability to participate effectively in deliberative conversation ÐÐ the ability to analyze and interpret visual communication General Education Objective: Communication Skills ÐÐ the ability to use facts: working from evidence to a conclusion (induction) ÐÐ gathering enough facts to warrant the conclusion ÐÐ making valid inferences based on facts ÐÐ using accurate observation to form a hypothesis and then test it (the scientific method) ÐÐ the ability to use principles: working from principle(s) to a conclusion (deduction) ÐÐ avoiding prejudices, pressure from authority or peers ÐÐ avoiding flaws in thinking: personal attack, overgeneralization ÐÐ the ability to absorb, analyze and interpret complex artifacts or texts ÐÐ the ability to assess the reliability and validity of information, especially on the web ÐÐ the ability to synthesize information from diverse sources ÐÐ the ability to place data into a larger context ÐÐ the ability to make decisions based on evidence ÐÐ the ability to analyze and interpret abstract ideas ÐÐ the ability to recognize and compensate for ambiguity ÐÐ the ability to prioritize ÐÐ the ability to innovate ÐÐ the capacity for curiosity General Education Objective: Critical [and Creative] Thinking Visit our website at humanities.gbcnv.edu ÐÐ the ability to understand the historical and cultural foundations of ethical behavior, and develop and apply a personal code of ethics based on that understanding ÐÐ the maturity to take responsibility for one’s thinking and actions ÐÐ the capacity to express an opinion that diverges from that of the majority [OR the ability to hold and defend a divergent point of view and to allow others the same right] ÐÐ the capacity to recognize the validity of alternate viewpoints or opinions ÐÐ the capacity to recognize multiple perspectives, from local to global ÐÐ the capacity to accept diversity of people and ideas ÐÐ the capacity for a critical understanding of fine arts expressions ÐÐ an awareness of the past and its application to the present ÐÐ the application of knowledge to real-world problems General Education Objective: Personal/Cultural Awareness ÐÐ the ability to utilize new technologies as they are developed ÐÐ the ability to understand the ethical implications of technological advances ÐÐ the ability to use technology to benefit humanistic inquiry, not to replace it ÐÐ the ability to capitalize on technology as a tool to enhance the experience of the humanities ÐÐ the ability to use technological tools to expand and extend our understanding of what it means to be human General Education Objective: Technological Understanding
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Toolkit - Discussions
Subject
The topic of the resource
Items related to the use of discussions as a pedagogical tool.
Description
An account of the resource
This collections features various items related to the use of discussions in live and online classrooms as a pedagogical tool.
Many of these items were taken from the VHC In-Service Workshop on "Discussions for Critical Thinking" on 21 January 2016.
Creator
An entity primarily responsible for making the resource
Scott A. Gavorsky
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
January 2016
Contributor
An entity responsible for making contributions to the resource
Kathy Schwandt; Joshua Webster;
Rights
Information about rights held in and over the resource
All rights reserved. Use of any content only by express permission of Great Basin College © 2016.
Document
Documents such as transcripts, pdf files, legal documents, letters, etc.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Discussions for Critical Thinking" - In-Service Handout
Subject
The topic of the resource
The handout distributed to participants at the VHC In-Service "Discussions for Critical Thinking," 21 January 2016.
Description
An account of the resource
The handout distributed to participants at the VHC In-Service "Discussions for Critical Thinking," 21 January 2016. The handout was intended to be a guide for the workshop discussions and includes three sample discussions from GBC faculty presenters.
Creator
An entity primarily responsible for making the resource
Scott A. Gavorsky
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
21 January 2016
Contributor
An entity responsible for making contributions to the resource
Joshua Webster; Kathy Schwandt;
Rights
Information about rights held in and over the resource
All rights reserved. Use of any content only by express permission of Great Basin College © 2016.
Format
The file format, physical medium, or dimensions of the resource
pdf file
Language
A language of the resource
English
Design
Design 2015-2017
Discussions
Faculty
humanities education
In-Service
Toolkit
-
https://humanities.gbcnv.edu/omeka/files/original/95833ec89de606ffd21255610309d1f1.pdf
d5aed834b2d01bf3bdc3b05ac4230a18
PDF Text
Text
Using OfficeMix to Spice Up Your WebCampus Course Content
Contents
What is Office Mix? ......................................................................................................................................... 1
Getting a User and Downloading OfficeMix ................................................................................................. 21
How To: Create a slide recording .................................................................................................................. 23
How To: Create a screen recording ............................................................................................................... 24
How To: Use Interactive content: This is not available yet but will probably be in the summer! ................ 28
Export options ............................................................................................................................................... 30
Office Mix best practices............................................................................................................................... 32
Slide Recording: tips & tricks......................................................................................................................... 33
Audio tips & tricks ................................................................................................................................... 33
What is Office Mix?
Office Mix is a powerful tool that you can use to turn your PowerPoint presentations into interactive
lessons. For example, you can record:
Audio of yourself narrating a lesson
Video of yourself speaking to students
Ink being drawn on your slides
Imagine if you were music faculty and you wanted to teach a student how to play guitar. You could
record yourself playing music, include voiceover narration of the technique you're using, and then show
your student how to read sheet music by drawing lines from the staves to the strings of a guitar, just like
you would if you were sitting in front of him or her. But unlike a traditional classroom setting where
you're limited by the size of the room and the number of students, Office Mix allows you to teach in a
virtual classroom of unlimited capacity while making each student who views the lesson feel like you're
talking directly to him or her.
To your students, these lessons look and feel just like videos that they can watch at their own pace and
re-watch as often as they need. If you add content like quizzes, polls, and even lessons from Khan
Academy, then your students can do more than just watch the videos; they can interact with them and
record their answers to your questions.
You distribute each lesson by posting or embedding web address to in WebCampus. The Mix is stored
on the Office Mix website. With Office Mix's analytics capabilities, you can see which students viewed
each lesson, how they answered your questions, and how much time they spent on each slide.
1
�Office Mix adds value to PowerPoint
In addition to all the rich features available in PowerPoint, Office Mix lets you:
Record audio or video narration of your slide deck.
Insert content that users can interact with, like quizzes, polls, and simulations.
Record audio or video of other applications in action and insert them in your slide show.
Take a screenshot of another open window and insert it in your slide show.
Preview and publish your mix to the web or export it as a video.
Share your mix with whomever you choose and share it on social media.
Review data about who viewed your mix and how long they spent on each slide.
Publishing components
Once your mix is ready to publish, you decide who you want to share it with and how:
Manage the permissions:
o Sharing must be “Public or Unlisted” to automatically show in your WebCampus List
o
o
o
o
o
Mark it as private so only you can see it.
Share it with anyone who has the URL to the mix but restrict access to your organization.
Share it with anyone who has the URL to the mix, provided they sign in to Office Mix.
Share it with anyone who has the URL to the mix, without requiring them to sign in.
Share it publicly so that it's also available from search engines and potentially from
the Office Mix Gallery.
Send an email containing the URL from your default email program.
Share it on any website, including Facebook, Google+, Twitter, Pinterest, LinkedIn, and others.
Embed it on another website so that it plays in a small, medium, or large frame.
Playback components
After you publish your mix, the following elements are available to play it on any device in an HTML5compliant browser (e.g., Internet Explorer, Google Chrome, Firefox, and others):
Play and Pause controls
Next and Back controls to move forward or backward one slide at a time
Slide Sorter view to see thumbnails of all the slides in the mix
Closed captioning
Playback at different speeds from 80% slower to twice as fast
Coming soon: playback via mobile applications
�Data analytics components
After your mix has been viewed by one or more people, you can see data about it:
By slide
By visitors (i.e., viewers are visitors that viewed the slide more than once)
By exercises (for mixes that contain interactive content like quizzes, polls, etc.)
Getting a User and Downloading OfficeMix
1. Get a User Account: signup.ive.com
2. Downloading the OfficeMix FREE Add-In: http://mix.office.com
****PowerPoint needs to be CLOSED when you do this.******
3. Office Mix Gallery: https://mix.office.com/watch/1tn085hj1eanh
Getting started
Now that you've begun planning your online lessons, here are a few tips and tricks to get you up and
running with Office Mix successfully:
1.
Make sure you're using PowerPoint 2013.
Most of our college computers should have this version. If you're not sure which version you're using,
click File on the menu bar, and then click Account to see the version number. (If you don't see a File >
Account item, find out which older version you're using.)
2.
Make sure your slide deck is saved with a PPTX extension.
If you want to start with a slide deck saved in the older, PPT format, open it in PowerPoint 2013. Then
click File on the menu bar, and click Convert:
�PowerPoint will open the Save As dialog with the filename and PPTX extension already filled in.
3. Use an external web cam for higher-quality video.
Built-in cameras (and mics, for that matter) are suitable for most tasks. But if you want more
professional-looking video, invest in an external web cam. If you're using Office Mix on a tablet or laptop
and you're inking with a stylus, an external camera and mic will allow you to minimize stylus noise.
4. Test your audio level before you start recording.
No matter how engaging the content of your lesson is, your video content is only as good as the quality
of your audio. Do a test recording with your mic and adjust the volume to find the optimal setting. To do
this:
o On the Mix tab, click Slide Recording,
o In the Audio and Video pane, select your microphone in the second drop-down list.
o On the slider below the volume indicator, drag the square left to lower the volume or right to
increase it.
If the sound quality is poor, use an external microphone, like Blue Yeti or Nessie, instead of the mic
built into your laptop. Even a headset will produce better quality audio than most built-in mics.
5. As soon as you finish your first slide recording, play it back.
Before you get too far down the road of creating your mix, you'll want to make sure your audio and
video sound and look the way you expect. So as soon as you finish your first slide recording, play it
back. To do this, click Preview Slide Recording:
If the audio's too soft or too loud, or if the camera isn't positioned just right, click Delete Slide
Recording. Then make adjustments before you re-record.
6. Pause briefly between slides.
Another way to segment your content is by slide. If you make one slide recording per slide, then it's
even easier to re-record when you make a mistake. If you segment your content in this way, it gives
you the opportunity to think about it in a modular way. It also gives you the freedom to add exercises
at the end of each segment to check your students' comprehension.
7. Use video where essential; use audio and inking for greater focus on content and delivery.
When you create an online lesson, you'll want your students to reap the same benefits from your
teaching style as if you were delivering the lesson in person. If you decide to include a talking-head video,
make sure to create good eye contact by speaking directly to the camera, and speak in a conversational
tone so that your students feel like you're talking directly to them. But when you want them to focus on
the slide content, forego the video and instead draw on your slides (i.e., use inking) while talking.
8. Upload drafts as you go-- but clear the video checkbox until your final draft.
Make sure to save your work while you're creating your mix. But clear the checkbox that creates a video
version until you're ready to upload your final draft. That way, you'll speed up the publishing process of
interim drafts. To do this:
On the Mix tab of the ribbon, click Upload to Mix:
�
In the Upload to Mix pane, clear the checkbox under Enable playback on mobile devices.
When you're ready to upload your final draft, check that box.
How To: Create a slide recording
What is a slide recording?
A slide recording is a recording of a PowerPoint slide show enhanced with audio, video, and/or inking
that you create by using Office Mix. When you create a slide recording, Office Mix adds up to 3 different
types of information to your slide:
A "media shape" that contains your audio-video clip
Ink as a bitmap
Timings (not visible on the slide) that are used during playback so that your clips and ink strokes
start and end at the right times
For instance, the slide recording below contains video (in a media shape), inking (as a bitmap), and
timings (which are not visible):
To see what a slide recording looks and sounds like, you can preview it in Office Mix at the time you
create it, or you can simply watch your mix on the web after you publish it by going to your My Mixes
page on the Office Mix website.
How to create a slide recording
The easiest way to create a slide recording is to create a PowerPoint presentation first. Then record on
top of your existing slides.
1. Go to the slide where you want your recording to begin.
2. On the ribbon, select the Mix tab.
3. In the Record group at the far left of the tab, click Slide Recording:
At this point, before you begin recording, you should decide which elements you want to record.
To add audio and/or video
Under Audio and Video to the right of your slide:
1. Select the size and resolution of the video you’ll record:
o If you want the video to appear as a thumbnail, click Thumbnail. This option creates a lowresolution recording.
o To fill the screen with your video, click Full Screen. This option creates a high-resolution
recording.
2. Select the camera you want use.
o If you’re recording on a laptop and you don’t have an external camera connected, select
Integrated Camera in the drop-down list.
�o
If you want to record audio only, select No camera instead.
3. Select the audio device you want to use.
o If you want don’t want to record any sound, select No microphone.
4. Adjust the volume by dragging the square left (lower) or right (louder) along the slider.
To add inking
Under Inking to the right of your slide:
1. Click the pen (Fine Pen, Medium Pen, Thick Pen) you want to use to draw on your slide.
o After you begin inking, you can click the Eraser to remove all of your ink strokes.
2. Click the color of the ink you want to use.
You’re now ready to begin recording.
To record
Use the buttons in the Slide Recording tab:
How To: Create a screen recording
What is a screen recording?
The terms "slide recording" and "screen recording" sound similar but differ primarily in
this way:
A slide recording show viewers activity on PowerPoint slides.
A screen recording show viewers activity in any other program on your computer,
including Windows itself.
How to create a screen recording
Follow these steps to create a screen recording of the last program that was active:
1. On the Mix tab, click Screen Recording:
�2. On the control dock at the top of the screen, click Screen Area:
The cursor will change to crosshairs:
Note that Audio will already be selected so you can record voice narration at the same time as
your screen actions. If you don’t want to record audio, click Audio to deselect it.
3. Click and drag the area of the screen you want to record. To record the entire screen, click in the
top-left corner of the screen, and drag the crosshairs to the bottom-right corner of the screen.
Note that you cannot select an area smaller than 64 x 64 pixels.
4. Click Record.
The control dock will slide up and out of view while you record. To pin it in place, click the pushpin
in the bottom-right corner of the dock.
5. To control your recording:
o
Click Pause to temporarily stop the recording:
o
o
Click Record to resume recording.
Click Stop to end your recording:
The screen recording will automatically be added to the current slide after you click Stop.
Upload to Mix
Why create a mix instead of a video file?
Creating a mix by uploading it to your My Mixes page on the Office Mix website has several advantages
to exporting it a video:
�
You don't have to worry about it saving it locally because Office Mix saves it in the
secure Microsoft cloud.
You can distribute it easily by sharing the unique URL of your mix.
Interactive elements in your mix remain interactive after you upload it.
Office Mix collects analytical data about the mix and makes that data available on your My Mixes
page.
You can set permissions for your mix to dictate who can and cannot view it.
You can share your mix on social networking sites like Facebook, Google+, Twitter, Pinterest,
and LinkedIn as part of the publishing process, or even after the mix has already been uploaded.
How to upload a mix
To upload a mix to your My Mixes page on the Office Mix website:
1. On the Mix tab in the Mix group, click Upload to Mix:
2. In the Upload to Mix side pane, click Next.
3. If you aren’t already signed into Office Mix, choose which of the following account types
you’ll sign in with:
o your Microsoft Account
o your organizational account
o your Facebook account
o your Google account
4. Click your account ID.
5. Indicate how you want the mix to be uploaded:
o If you are creating a new mix, select This is a new mix. Otherwise, to overwrite a mix
you already uploaded, select Updating an existing mix and select the mix that you want
to overwrite.
o If you also want to create a video version of your mix, select Enable playback on
mobile devices. Note the following:
Selecting this option increases the upload time.
If you don’t select this option, viewers will still be able to view your mix on
mobile devices, provided those devices are connected to the Internet.
If you don’t select this option at this time, you can still export your mix as a video
after it has been uploaded to your My Mixes page.
o Click Next. At this point, Office Mix will begin uploading your mix.
6. In the side pane, click Show me my mix.
At this point, Office Mix will open the Details page of your mix on the Office Mix website. Fill in the
details as follows:
1. Type a title for your mix. The title will appear next to a thumbnail of your mix on your My Mixes
page.
2. Type a free-form description of your mix. The description will appear below the creation data and
�duration of your mix on your My Mixes page.
3. Set the Permission & Sharing options.
4. If you want to email the URL of your mix to a recipient, click the Email icon at the bottom of
the page to open an email containing the URL in your default email program:
5. If you want to add closed captioning to your mix, see Adding close captions.
6. Click Save.
Why export a mix as a video?
Export to video is the Office Mix export option that lets you save your mix as a video that contains the
audio, video, and inking you created with Office Mix but not contain any interactive content (apps,
quizzes, simulations, etc.). This option is designed for the following scenarios:
You want viewers to be able to watch your mix without connecting to the Internet.
You don't want your mix to be stored in the secure Microsoft cloud.
You want to save a copy of your mix locally (i.e., on your hard drive or other local storage device).
You want to publish your mix on Office 365's video portal.
You want to publish your mix to YouTube. (If you plan to make your mix available as a YouTube
video, it's a good idea to add the URL of your mix to the end of your video so people can enjoy
the full mix experience on http://mix.office.com.)
How to export a mix to a video
If you're already familiar with PowerPoint's File > Export > Create a Video feature, Office Mix's Export
to video feature has the same options with more descriptive wording.
1. On the Mix tab in the Video group, click Export to video.
2. In the Export to Video side pane, choose a video resolution from the Choose video size list:
o For high-definition video suitable for viewing on a computer monitor, TV screen, or other
HD display, select Full HD (1080p).
o For high-definition video suitable for HD computer screens, select Computer & HD
Displays (720p).
o For web viewing suitable and standard DVD resolution, select Internet & DVD (480p).
o For viewing on small portable devices like mobile phones, phablets, and tablets, select
Portable Devices (240p).
3. In Seconds spent on each slide, type the number of seconds to wait before the mix advances
to the next slide. This setting applies only to slides that do contain a video or interactive
content.
4. Click Next.
5. In the Save As dialog, choose a filename and location for your video and click Save.
How to export a video while uploading a mix
When you upload a mix (by clicking Upload to Mix on the Mix tab), you can create a video version of
�your mix at the same time that you publish your mix. To take advantage of this option:
1. Follow the How to upload a mix steps on the Create a mix page.
2. In step 5, select Enable playback on mobile devices box.
Office Mix will bundle the video in a package with the mix. When viewers watch your mix from a
mobile device (by clicking the URL that you send them), the video will play instead of the mix inside the
mobile device's video player. Slides containing interactive content will not appear.
Tips & tricks
Remember that unlike a mix, a video plays from start to finish without user interaction (except to pause,
play, and rewind). Follow these tips and tricks below to make sure your exported video plays back the
way you expect.
1. Do not use slide transitions.
There are no slide transitions in a video. To change the amount of time that is spent on each slide,
change the default value of 5 in the Seconds spent on each slide box.
2. Expect animations to play automatically.
If you added animation effects in PowerPoint that start "On Click," they will play automatically in
the video version.
3. Do not create videos when saving interim versions of your mix.
Saving a video version of your mix can be a time-consuming process because PowerPoint plays
the slideshow during the export process. For example, if the runtime of your PowerPoint
presentation is one hour, it will take just over one hour to export it to video. To speed up the
upload process, clear the Enable playback on mobile devices box, and enable it only when you're
ready to upload your final version.
How To: Use Interactive content:
This is not available yet but will probably be in the summer!
�What is interactive content?
Interactive content is readymade content that you insert into a mix and that viewers can interact with
directly. Quizzes, polls, science and math simulations, and videos from Khan Academy are all examples
of interactive content. They provide a level of interactivity above and beyond what you can create in
PowerPoint alone.
How to use interactive content
As faculty, you can use the interactive content under Quizzes and Polls as a formative assessment,
checkpoints, to make sure your students understand the material presented up to a certain point
before they continue viewing a mix. For instance, you can insert a quiz and determine the threshold, or
score, that a student must meet or exceed in order to move to the next slide. If a student falls below
that threshold, you can suggest that he or she review the material again.
You can also use the content under Videos and Apps to enhance your lessons about certain concepts by
allowing students to control and alter examples of those concepts in action. For instance, in a science
lesson about light and color, students can explore the ways that changing the wavelength of a
monochromatic beam changes the way that color is seen by the human eye:
How to add interactive content to a mix
The most efficient way to make use of interactive content in a mix is to create your lesson in
PowerPoint, and then decide where this type of content can be inserted to test students'
comprehension or illustrate a concept.
1. Go to the slide where you want interactive content to appear.
2. On the ribbon, select the Mix tab.
3. In the Insert group, click Quizzes Videos Apps:
4. At the top of the Lab Apps for Office box:
o Click MY APPS to insert an app that you already downloaded.
o Click STORE to insert an app, which automatically adds it to your list of MY APPS.
5. Click the app you want to insert to read a description of it.
6. To insert the app, click Trust It. Or click Cancel to return to the list of apps without inserting it.
7. To see the app the way your students will see it, press F5 or click Slide Show in the bottom-right.
�How to view analytics from quizzes and polls
After you publish your mix, Office Mix will begin collecting data for all the quizzes and polls you
inserted in the mix. To view this data:
Go to the list of uploaded mixes on your My Mixes page
at https://mix.office.com/MyMixes/Uploaded.
For each mix that contains one or more quizzes or polls, click Analytics:
Under the title of your mix, click by exercises:
Tips & tricks
Use interactive content to gauge a student's progress and comprehension of the material
you're teaching in a mix. This content is not intended to be used to grade students.
After you add interactive content to a slide, you can copy and paste it on other slides in your
presentation. This method is particularly useful for creating questions in a quiz that spans
several slides.
In addition to inserting interactive content from within PowerPoint, you can download apps
from the Office Store website at https://store.office.com/appshome.aspx and insert them
into your mix. However, Office Mix collects data only for those apps that you insert from the
Lab Apps for Office box that appears when you click Video Quizzes Apps on the Mix tab.
Export options
There are several ways to export a mix, depending on how you want to use it and who you want to
make it available to. You access each export option on the Mix tab:
Mix options
Preview
Though not technically an export option, Preview lets you view your mix without first
publishing it or saving a potentially big file to your hard drive or other storage device. It's
similar to the Slide Show command in PowerPoint in that it runs your mix full-screen so
you get an idea of how your viewer will experience it. This command is only available from
inside PowerPoint when you have Office Mix installed.
Upload to Mix
�Upload to Mix publishes your mix securely to your My Mixes page in the cloud on the
Office Mix website. It converts your PowerPoint presentation (PPTX) file into a rich,
interactive video with a unique URL.
You share your mix simply by sharing the URL, which plays the mix over the Internet in the viewer's
default web browser on any device. There's no need to save, keep track of, or send your mix files.
Each published mix appears on your My Mixes page and its URL never changes, even when you
update and republish your mix. You can also use the URL to link or embed your mix on other
websites.
This is the recommended export option because it gives you control over who can view your mix,
and it also gives you data about how your mix was viewed and by whom. If you require this data or
the mix itself to be present on your own servers, use one of the video export options below.
My Mixes
Though not technically an export option either, My Mixes opens the My Mixes page on the
Office Mix website in your default web browser. It provides an easy way for you to see your
list of published mixes, play them, and view the data collected for each one. It's also useful
if you want to give the mix you're working on a name similar to (or different from) mixes
you already published but you don't remember their names.
Video export options
Export to video
Export to Video lets you convert your mix to a video that viewers can watch offline. This
option saves the video to the location you specify; it is not stored on your My Mixes page
on the Office Mix website.
One clear benefit of saving your mix as a video is that you can distribute however you choose,
upload it to a learning management system (LMS), upload it to YouTube or other sites, etc. But
because it's a video and not a mix, the interactive elements will appear in the video but they will
not be interactive. Specifically, viewers will not be able to click or otherwise interact with:
Hyperlinks
Quizzes
Polls
Simulations
Other interactive content inserted from Quizzes Videos Apps
In addition, Office Mix will not collect data about videos. Analytics data is available only for mixes
(not videos) on your My Mixes page on the Office Mix website.
Export to SCORM
Export to SCORM converts your mix to a SCORM package that you can upload to your LMS.
SCORM packages appear as courses in your LMS and are generally stored on the same
server as your LMS. If you included high-fidelity audio-video elements in your course,
viewers will most likely need a high bandwidth connection to view it properly.
�Note that this export option has the same limitations as Export to Video: interactive elements that
you inserted in your mix will no longer be interactive after you export your mix to this format; and
analytics will not be collected or made available by Office Mix.
Office Mix best practices
Congratulations! You decided to use Office Mix for your recorded lessons rather than investing in
traditional video-making equipment includes screencasting software, pen annotation, interactive
whiteboards, high-end microphones, video cameras, recording software, and
compositing/editing software.
But that's just the start. Below are seven steps for creating video-based lessons that will help you create
mixes that engage your students' minds and attention:
1. Keep it short (6 minutes or less).
Shorter videos are much more engaging to students who are growing up in the YouTube generation
than videos the length of a TV program or more. Studies show that engagement drops sharply after
just six minutes. If you plan your lessons so that one video equals one topic, you're more likely
students to keep your students' attention with many short videos (e.g., five six-minute videos) than
with one long video (e.g., one 30-minute video).
2. Don’t feel compelled to use video.
Video slides take longer to record, and more iterations to get right. A common practice is to use a
full screen video for the introduction and then switch to audio and inking. This makes it much
faster to create your mix. However, videos that show you talking directly to your students are
more engaging. Think about when and where students will benefit most from seeing you speaking
to them, either in a thumbnail video in one corner of the mix, or in a full-size video that takes up
the entire area of the mix.
3. Amateur, authentic videos beat high-end, rehearsed recordings.
Videos with an "indie" feel, meaning they can be rough-around-the-edges but communicate your
message clearly, are often more engaging than high-fidelity studio recordings that feels as if they've
been rehearsed over and over. To give your videos more of an authentic look and feel, record them
in an informal and familiar setting, like the office where you hold office hours for students. You'll
save money by not renting a sleek and polished space, and you'll create the one-to-one atmosphere
that will put your students at ease.
4. Draw on your slides just like you'd draw in your classroom.
Tutorials in which instructors draw on tablets, like the ones produced by Khan Academy, are easier
to follow than PowerPoint slide shows or screencasts that run from start to finish without the
instructor calling the students' attention to specific information. Introduce motion, animation, and
inking into your lessons, along with audio or video or yourself speaking, so that students can follow
along with your thought process.
5. Plan your lessons with MOOC in mind.
High-quality, pre-recorded classroom lectures are not particularly engaging, even when they're cut
�into shorter segments for a MOOC (Massive Open Online Course). If you must record a classroom
lecture, keep the MOOC format in mind and partner with instructional designers who understand
the best way to deliver online training or education.
6. Be energetic, enthusiastic, and when appropriate, funny.
Have you ever watched a video in which an instructor drones on? Delivering the same material with
energy and enthusiasm can makes a huge difference, especially if you inject your own brand of
humor into it, the same way you would in a classroom. If you think you need to speak slowly so that
students can follow along, remember that they control the playback: they can pause and rewind the
video, and watch it as many times as they need to.
7. Focus on sequential viewing for lectures, non-sequential viewing for tutorials.
Students engage differently with recordings of lectures and tutorials. They're likely to watch a
lecture from start to finish, whereas they're more likely to jump in and out of different parts of a
tutorial. So add support for the non-sequential viewing experience of your tutorials, such as the
ability to: skim a section (by adding callouts that summarize slide content); jump around (by
inserting hyperlinks to other slides and slide sections); and enter the tutorial at any slide.
Slide Recording: tips & tricks
Slide recordings are a powerful way to add audio, video, and inking to a presentation. But what happens
when you create a slide recording of a slide that contains many effects, like animations, transitions,
sound effects, etc.? To make sure your slide recording always plays the way you want, Office Mix will
not record the following slide elements:
Triggered animations (that you add by clicking Trigger on the Animations tab)
Sound effects (that were not recorded in Office Mix but were instead added to a motion
path animation on the Animations tab)
Hyperlinks that are inside a table or that open a custom slide showCheck out the tips and tricks
below to make sure your slide recording plays back the way you expect.
Audio tips & tricks
If you haven't already read Getting Started: tips & tricks, be sure to read tip #4: Test your audio level
before you start recording.
1. Invest in a better mic than what's built into your tablet or laptop.
Office Mix does not recommend a particular make or model of microphone, but it's easy to find
good alternatives to what's built into your computer by searching for "high quality podcast
microphone" on your favorite electronics shopping sites. See search results by Bing.
2. Choose the right Audio and Video setting for what you plan to record.
By default, Office Mix is set to record audio at a low bit rate, which is suitable for voice recordings,
�and keeps your mix file smaller. But if you plan to record music, for example, and you want to
capture the full range of that music at high fidelity, then you should change the default setting. To
do this:
o In the Audio and Video pane, click the Settings button that looks like a gear:
o
o
In the dialog box, clear the Audio for voice (noise reduction and auto-adjust volume)
checkbox.
Click OK.
For more information about the different audio settings and how to set up your mic correctly, watch
Mix Audio.
Video tips & tricks
Because Office Mix keeps track of timings for your audio, video, and inking, adding other elements that
have timings (animations, transitions, etc.) to a slide could produce unpredictable results. For that
reason, follow these video tips to make sure that your screen recording always plays the way you
expect.
1. Do not insert more than one video on a slide.
If a slide contains two videos, Office Mix won't know which one to play first. However, there is a
workaround if you want to insert two videos on a slide:
o Create two identical-looking slides.
o On the first slide, insert video 1 and an image of video 2.
o On the second slide, insert video 2 and an image of video 1.
When your mix plays, video 1 will play on the first slide and video 2 will play on the second slide.
But to the user, it will look as if video 1 will play and then video 2 will play on the same slide.
2. Do not insert an animation on a slide that contains a video.
The same challenge applies to this situation as to the situation above. The good news is that you
can use the same workaround:
o Create two identical-looking slides.
o Decide whether you want the animation or the video to play first.
o On the first slide, insert the element you want to play first, and also insert an image of the
element that will play second. For instance, if you want a video to "float in" to your slide,
add that animation effect to an image of your video.
o On the second slide, insert the element you want to play second and an image of the
element that played on the slide 1.
3. You cannot ink on a video or interactive content (the one you insert by clicking Quizzes Videos
Apps).
4. You can change the size of your video after you create your slide recording.
Before you create a slide recording, you need to select either Thumbnail or Full Screen below the
video preview. After you finish recording and close the Slide Recording window, the video will
appear on your slide. At that time, you can dynamically resize it the same way you would resize
any other shape on your slide.
5. Choose the right Audio and Video setting for what you plan to record.
�By default, Office Mix is set to record video at a low resolution, which is suitable for most videos,
and keeps your mix file smaller. But if you want to record in high definition (HD) for a mix that you
plan to save as a video and not upload to the Office Mix website, then you need to change the
default setting. To do this:
o In the Audio and Video pane, click the Settings button that looks like a gear:
o
o
In the dialog box, select the Record HD Video (not for web) checkbox.
Click OK.
Inking tips & tricks
If you haven't already read Office Mix best practices, be sure to read tip #4: Draw on your slides just like
you'd draw in your classroom.
1. For best-quality ink strokes, use a digitizing tablet instead of a mouse.
A pen or stylus will give you more control over what you draw than a mouse (or a keyboard, for
that matter).
2. Focus viewers on the inking and not on video of your drawing.
Unless you're an art teacher and you want your students to see you in the act of creating ink
strokes, don't include video of yourself inking because it will divide their attention. But do include
audio of yourself talking while you're inking so students know why you're drawing their attention
to something on your slide.
3. Move your microphone far away from your input device.
When possible, ink as far away from your mic as possible to avoid the clicking sound that pens,
styluses, and mice make when you draw on a slide.
��
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Toolkit - Software Resources
Subject
The topic of the resource
Collection of WebCampus-related resources as well as general software guides.
Description
An account of the resource
Collection of WebCampus-related and other software resources for use in the Humanities Toolkit.
Creator
An entity primarily responsible for making the resource
Scott A. Gavorsky [ VHC]
Contributor
An entity responsible for making contributions to the resource
Lisa Frazier; Carrie Miesner
Document
Documents such as transcripts, pdf files, legal documents, letters, etc.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Using OfficeMix to Spice Up Your WebCampus Course Content
Subject
The topic of the resource
Handout on the new OfficeMix software debuting in Spring 2016.
Description
An account of the resource
The handout distributed during the Spring 2016 WebCampus In-Service, featuring an overview of the new OfficeMix software available for Powerpoint and in WebCampus..
Creator
An entity primarily responsible for making the resource
Lisa Frazier
Publisher
An entity responsible for making the resource available
Great Basin College
Date
A point or period of time associated with an event in the lifecycle of the resource
14 January 2016
Rights
Information about rights held in and over the resource
All rights reserved. Use of any content only by express permission of Great Basin College © 2016
Design
Faculty
how-to
In-Service
Toolkit
WebCampus
-
https://humanities.gbcnv.edu/omeka/files/original/d12382fbd2fb9dfff38fde1375604d35.jpg
8efa44bed324442932072e6328804850
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Design for the Human Spirit (Theme 2015-2017)
Subject
The topic of the resource
Materials related to the VHC Theme for 2015-2017--Design for the Human Spirit.
Description
An account of the resource
What is design, and how does it impact humans? Over the next two years, the Virtual Humanities Center will explore the role of design at GBC, the communities it serves, and the larger world.
Creator
An entity primarily responsible for making the resource
GBC Virtual Humanities Center
Publisher
An entity responsible for making the resource available
GBC Virtual Humanities Center
Date
A point or period of time associated with an event in the lifecycle of the resource
August 2015 - July 2017
Contributor
An entity responsible for making contributions to the resource
Scott A. Gavorsky [VHC]
Rights
Information about rights held in and over the resource
Great Basin College © 2015. All rights reserved.
Hyperlink
A link, or reference, to another resource on the Internet.
URL
https://www.youtube.com/watch?v=TFxgxvF45Kw&feature=youtu.be
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elko Street-scaping Project: Interview with Nevada DOT Architect John L'Etoile
Subject
The topic of the resource
Interview with John L'Etoile, Nevada DOT Senior Landscape Architect on the Elko Street-scaping project.
Description
An account of the resource
Angie de Braga (GBC VHC) interviews John L'Etoile, Senior Landscape Architect for the Nevada Department of Transportation (Nevada DOT), about the design of the Elko Street-scaping project, using the theme "A Passage through Time."<br /> <br /> <iframe width="560" height="315" src="https://www.youtube.com/embed/TFxgxvF45Kw" frameborder="0"></iframe>
Creator
An entity primarily responsible for making the resource
Angie de Braga
Source
A related resource from which the described resource is derived
https://www.youtube.com/watch?v=TFxgxvF45Kw&feature=youtu.be
Publisher
An entity responsible for making the resource available
Nevada Department of Education
Date
A point or period of time associated with an event in the lifecycle of the resource
July 2015
Contributor
An entity responsible for making contributions to the resource
Angie de Braga [interviewer]; John L'Etoile [interviewee]; Nevada DOT [editing]
Language
A language of the resource
English
Rights
Information about rights held in and over the resource
Rights pending
Format
The file format, physical medium, or dimensions of the resource
YouTube video link
Community
Crossroads
Design
Design 2015-2017
Elko
NDOT